wanderthewood:

Abbey library, Czech Republic

“There are no witches, not really…”

(Source: lovelymiafarrow, via cinemajetaime)

(Source: focus-damnit, via catkittycatkittycatcatmeow)

oldfilmsflicker:

Anne Bancroft on meeting Mel Brooks

(via missavagardner)

stays-pretty-green:

Joni Mitchell and Carole King

noperfectdayforbananafish:

in the street………milan (by Sanzen)

(via cozycoffeeandchrysanthemums)

[x]

(Source: dailyanimals, via cozycoffeeandchrysanthemums)

(via ilovebritishtv)

(Source: xeb4z, via cinemastatic)

(via the-absolute-funniest-posts)

(Source: sandandglass, via onlylolgifs)

“The Divorcee” (1930) is seen as one of the most important films of the Pre-Code era and it still surprises with the force and courage with which Norma Shearer’s character acts in it. The story of a strong, risqué woman who rebels against the patriarchal ideal of a virtuous wife while the husband is free to have affairs without tarnishing his reputation and hence confronting the hypocrisy of the double standard promoted feminism long before the term was used and made Norma Shearer (along with her other pre-code movies) almost a feminist pioneer. Based on the novel “Ex-Wife” by Ursula Parrott, it was highly controversial back in the day and ended up getting Norma Shearer her Best Actress Oscar for it. The film had a total of four Academy Award nominations including Best Film

(Source: tracylord, via missavagardner)

travelingcolors:

Magdalen Street East, Oxford | England (by sma_kee)

(via beautifuloxford)

(Source: marianaovaicomasoutras, via saezlin)

turquoisekush:

Justin Bartels, Impression.

‘The series focuses on the clothing that women think they should wear, or are told what to wear, to impress someone in a sexual manner. There is a physical mark that is left from these clothes, showing the discomfort women go through.’

(Source: anorsexic, via cozycoffeeandchrysanthemums)